Poet's Corner: Up in a Cottonwood by Ursula K. LeGuin

Great Horned Owl photo by Ken Shults

Up in a Cottonwood

I.

Who could have for some reason

put a large grey stone

way up in a cottonwood?

Not even on a branch: a twig

holds up that feather boulder

softer than the evening air.

Another deeper in the leaves

turns its silent horns this way,

gazes, shifts the grip

of the mousedeath talons,

and softly tells us who.

II.

Indignant indolence.

Wrath gone all downy.

An awful gold round glare

shut halfway to pure contempt.

Birdwatchers.

Someone should remove them.

If they were smaller

If it were evening

I would see to it.

And presently

issue a pellet containing their bones.

III.

Moon cursive

shell curve

of wings in leaves and shadows

soundless, halfseen.

An owl is mostly air.

Ursula K. LeGuin, From Incredible Good Fortune

Many words have been spent on our feelings about owls. Wise or wicked, owls may more than any other birds stand in for human traits in mythology, folk tales, and many genres of literature. Merlin's owl Archimedes and Harry Potter's Hedwig are wizards’ companions; owls are in children's stories at least as far back as Beatrix Potter and Winnie the Pooh. And of course owls figure in many a ghost story.

Owls play different roles in many poems. LeGuin's poem gives us three views, the first familiar to many a bird watcher who has overlooked a still and silent owl, the third a graphic visual take on an owl's essence. Separating those more or less objective views, is the remarkable center of the poem, a fanciful peek inside an owl's mind.

We may well doubt that owls have a concept of mind at all; if they do it probably isn't much like mine or Ursula LeGuin's. But what bird watcher will not find this a humorous and insightful take on our relationship to the targets of our sometimes obsessive searching?

Ursula LeGuin is best known for her fantasy stories for young, and older, adults. Prolific in other genres, much of her poetry comes from an intimacy with the outdoors, especially both eastern and western Oregon where she lived her later life, and passed away January 2018.

In the Audubon world we may like owls more than other birds. The favor of our “likes” is an unfair burden for any creature, just as much as our dislike. Read with caution and an open mind, and enjoy this poem as much as I do.